My New Light-Box!!!

One of the tools that would have made things easier when I was working in traditional media (before completely digitizing my workflow with a Cintiq) is a good light-box, which would have allowed me to use any paper I like rather than relying on graphic paper or vellum to clean up my rough drawings. While I like graphic paper, it can be too thin for wet media, including ink when applied liberally with a brush.

I’ve decided recently that I’d like to get back into using traditional media, if only for my own projects which have no deadline and don’t require the efficiency of a fully digital workflow (though I do plan on utilizing the Cintiq where it still makes sense to do so). This time around I’d like to use a light-box so I can work with a thicker paper, like bristol board or even watercolor paper.

In the past, commercial light-boxes tended to be expensive for anything larger than 9×12 inches. I figured I could save money by building it myself, which, given my ineptitude at crafting and building, would have looked something like this:

And then I realized I didn’t have to use old bulb technology, given the ubiquitous availability of LED lighting. Still, my lightbox would have turned out looking like the above design, minus the giant Edison bulb perched on top. That was till too clunky.

And then I figured that if I thought of using LED technology for a light-box, and since many artists use the light from their iPad or other tablet as a light-box, then surely a company out there has started manufacturing LED light-boxes. After mentioning this to my lovely bride, she does a quick search and sends me a link for a light-box large enough for my desired use. And it’s flat to boot, which makes it perfect for laying on my drawing board without bulking things up.

Well, it arrived yesterday, so here are a few pics I thought I’d share. I didn’t place anything next to it to give you the sense of its scale, but it’s “Yuuuge” and can accommodate something like professional comic art boards (I bought this on Amazon which advertised the size as 21 x 2 x 29.8 inches, though it looks a lot thinner than 2″. Heck, it doesn’t even look like it’s an inch thick). As you can see below, it sits nice and flat on the drawing board.

The power button is one of those surface-flat, touch-sensitive power buttons on which you don’t even have to push. It’s pretty sensitive, because I’ve accidentally turned it on while reaching for the power cord near it. When it’s powered on or off, the light comes on and turns off very gradually. It’s not like flipping on a lamp.

My wife made me a cover for my Cintiq so it doesn’t collect dust while not in use, and I asked if she’d make one for this as well. She immediately dug out some fabric and made a cover to keep this clean and neat. What an awesome wife — I’M NOT WORTHY!

This thing is so flat and slim that it’s actually difficult to wrap the edges of the cover around it. That’s not a complaint. It’s actually nice that it lays so flat.

So there’s the quick reveal. Since it just arrived, I didn’t have time or an opportunity to try it out or to take a picture showing it in use. Maybe I’ll get to that in a future post if/when I do an actual review of this.

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Video: Another Quick-Sketch

Another quick doodle…

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Creepy Librarian

Yet another tonal doodle using Procreate on the iPad…

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Video: More Doodling Process

Here’s a time-lapsed video of Monday’s sketch.

Enjoy!

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Biff, Bam, Pow!

Who doesn’t like seeing a good scrap?

Anyway, I can’t really share my professional work done under an NDA, so these rough doodles will have to suffice.

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Video: Doodling On Procreate

The cool thing about Procreate is that it can create time-elapsed videos of your sketches after the fact. I didn’t intend to create a video of the boxing sketch in the previous post, but I thought I’d generate one and post it.

While I was noodling around, my son started sketching, so you’ll probably notice that when it comes up. Also, the reason you see me start and stop so much is because I tend to noodle around on a layer, turn off the layer and begin noodling around on another layer, and so forth. So I tend to have multiple sketches on one file. I do this because I’m too lazy to create different files for nothing more than sloppy little doodles.

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Knockout

A little doodle on the iPad…

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Guitar Break #8

More stuff I made up while noodling around…

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London Lizard

A bit of nonsense I illustrated for no good reason…

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Palomino Blackwing – A Pencil By Any Other Name…

I do most of my professional work on a Cintiq these days. Even when I was still on a drawing board, I stuck with technical pencils to avoid all of the sharpening required with wood-cased pencils. Still, there’s a certain charm about using wood-cased pencils, so that’s what I often use when doodling chicken-scratches.

Now, a pencil is a pencil is a pencil, and at the end of the day the quality of your drawing is going to come more from your mind and hands than from the pencil. Nevertheless, your frame of mind can be affected by the satisfaction of using a particular tool that inspires you or makes your job easier. One pencil that has been given lots of attention because of its widespread use (especially by animators, writers, and composers) is the original Blackwing 602.

Given the big hoopla about the “new” Palomino Blackwing which are made in Japan (and I realize that “new” is a relative term, since I’m late to this party), I thought I’d try them out, so I bought a box at the Stuart NG booth while at the Comic Con last month. (these Blackwings are really more like reproductions and not from the original production 602s which were discontinued in the late 90’s. You can check out more about the original Blackwing HERE.)

Off hand, It’s a beautiful design if tool aesthetics is your thing, what with its unique ferrule design and replaceable eraser. I also picked up a two-step, long-point sharpener, since an electric sharpener eats up pencils and wastes too much lead. Lots of these type of hand-held sharpeners have cheap blades that break your lead or don’t really sharpen well, but the German-made blades on this work quite well, though I’m not sure where to purchase new replacement blades.

These pencils come in a nicely designed box of twelve. I no longer go through pencils like I used to, so I gave one to each of my kids to try out as well since they do a lot of drawing.

I didn’t have time to do a nice drawing with this pencil for the purpose of this post, but I wanted to show a comparison between a couple other good drawing pencils: the Schwan Stabilo 8008 and an old Faber Castell 9000 4B pencil made in Germay.

All three of the following pencils are really smooth. The Stabilo 8008 is probably the smoothest, but it’s the lightest in tone as well, so if you want a darker lead, the other two are better.

The nice thing about the Blackwing is that it’s both firm and dark (though this one is softer than the “new” 602). Usually, I find dark leads are too soft or grainy.

Surprisingly, I found the Faber Castell 9000 which I had fumbling around my tool drawer to perform as well or better than the Blackwing. In fact, I liked it so much that I went online to try to find more of these older versions, but I could only find two, each for slightly more than what the new Blackwing costs. They’re still manufactured, but I never know whether to trust newer models because it seems everyone’s manufacturing is done so cheaply now in order to cut costs. I’m not suggesting the new Faber Castell 9000s under production are not good. I just don’t feel like spending the money to find out. In any case, if I ever come across more of these older 4B 9000s, I’m grabbing them as fast as I can. In the meantime, the Blackwing works quite well and offers lots of drawing satisfaction.

I scrawled out a few swatches of each for comparison.

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