In My Mailbox Today! – Wally Wood IDW Artist Edition

Well, not really in my mailbox, because it’s much too large to fit. More like, on my porch…

As I’ve mentioned in recent posts, I’ve been reading, perusing, and acquiring more comic-related art books because I’m currently working on a comic series and I’m always looking for new sources of inspiration. IDW has turned me on to artists’ work everyone in the industry is familiar with but which I never really appreciated until I was able to see in the Artist Edition series. This series reproduces artist’s work at their original size after having been shot/scanned in color from the original pencil/inked art, retaining the actual color of the aged pages with all of the blue pencil and correction marks. It’s the closest thing to holding the original art in your hands. What’s really nice about these editions is that they allow you to see the black and white work without any coloring to distract you from the beautiful pencil or ink work. It also gives you a better insight into the creative process.

IDW started producing these books around 2010 or so, the first being Dave Stevens Rocketeer Artist Edition, which is the first one I acquired a few years ago because I’m a big fan of Steven’s work. The second Artist Edition IDW produced was an edition of Wally Wood’s EC work. It immediately sold out and was so popular that IDW released a second edition, however, both editions have out of print out now for years and can cost over five times their original retail prices on those rare occasions they pop up on the market (which is why I’ve never purchased one).

Because of its popularity, IDW has released an Artisan Edition which is a small, soft-cover edition with a different cover and a little less content (for about a third of the original retail price of the Artist Edition). I had this in mind to eventually get since I never thought I’d find an affordable copy of the Wally Wood Artist Edition. Recently, however, a first edition popped up on ebay at a little over the original retail price so I nabbed it.

I’m not going to review it because it’s been thoroughly reviewed online since it came out in 2011, but I’ll link to a couple videos. I’d also encourage you to check out this excellent review of it (as well as other Artist Editions) HERE.

I’m savoring this tome as I study it (it arrived this morning and I haven’t gone through it all yet).

To give you an idea of the size of these twice-up editions, here’s a pic of the book next to my guitar. Yes, it’s huge (the book, not the guitar)!

The following are from YouTube (i.e., not produced by myself). But they’re interesting to watch if you want a quick flip-through of the book.

And another review for our Spanish-speaking friends…

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IDW Artist Edition: Jack Kirby’s Fantastic Four “World’s Greatest”

In 2015, I wrote a post about how I had acquired some IDW Artist Editions. At the time, I mentioned how I was never a fan of Will Eisner’s The Spirit until I saw scans of the original art in both of the IDW Artist Editions.

In like manner, I was never a big fan of Jack Kirby’s figure drawing. Frankly, I never got all the hoopla over him or why he was crowned the “King of comics.” And then I had the same experience with Kirby as I had with Eisner. I saw the IDW Fantastic Four artist editions of Kirby’s original work and it blew me away. I suddenly “got it” and understood why Kirby was king. Every page of his work seems to be filled with action and dynamism. His compositions and story-telling are powerful and they never bore you. It’s something that really manifested by seeing scans of the original inked pages without the distraction of color or poor reproduction.

This really hit home for me when I was taking a stroll with my daughter and came across a comic shop, which we entered. I picked up an issue of The Shadow and the entire comic was essentially dialogue and boring panels of people just talking (or so it seemed from the flip-through of the pages). In fact, I think I only spotted one or two panels containing The Shadow in the entire comic. And this is something that I seem to see more and more. It’s as if no one is capable of telescoping a story into essential elements so that it gets to the point in a single issue or maybe three-issue-at-the-most story arc. Or perhaps comic-buyers today just enjoy slow, drawn out soap-operas. Who knows. Frankly, I’ve gone back to reading the stuff printed on newsprint that I read as a kid. No, it’s not fancy stuff and the stories may be campy, but they’re more entertaining than almost anything I see today (of course there are exceptions and some stuff today is great, but my comment is addressing what seems to me to be the general trend).

Anyway, from now on, count me in as a fan of Kirby.

I’m too lazy to do a flip-through video of the book, but I’d like to link to this YouTube video of a gentleman reviewing the first IDW artist edition of Kirby’s Fantastic Four (the book above is the second volume of Kirby’s FF work, both books being released in 2017 by IDW to commemorate Kirby’s 100th birthday). The reviewer does a fine job commenting on the artwork. If you’re a fan of Kirby and still haven’t seen either artist edition, watch this video and you’ll want to run out and get them.

Enjoy!

IDW Artist Editions – The Sequel

I was never a big Will Eisner fan, but he garnered so much industry respect that I thought I must be missing something. I really wanted to go back and study his work on The Spirit, but any trade reprints just didn’t seem to be of great quality. Let’s face it, the production quality of comics has come a long way from the off-register-colored stuff printed on newsprint which made up the comics of my childhood. Frankly, I preferred the DC series which were done by Darwyn Cooke several years ago. So I never purchased any of the series by Eisner. TheSpirit_IDW_1st And then came the IDW Artist Editions. I watched a YouTube video of someone flipping through one of The Spirit editions, and it just didn’t impress me. And then I saw one in person and flipped through it – Wow! Seeing the work up close made all of the difference in the world. Naturally I bought both volumes. The first thing I have to say is that I now understand why everyone has such great respect for Eisner. His work on these Spirit comics is amazing. And seeing the original-quality inking without the distraction of coloring really highlights what’s best about this work. Eisner wasn’t just a great sequential story-teller (which is what I thought was his claim to fame). He was really a great artist as well. I would recommend any fan of good, traditionally inked work to run out and get themselves a copy of these editions. An artist can learn a lot from studying these. TheSpirit_IDW_2nd The IDW Artist Edition on EC comics is my least favorite of the ones I’ve reviewed, though, that Frazetta cover is an amazing work of art which one could study endlessly (it’s easily one of my favorite Frazetta pieces). I was really hoping this edition contained mostly collaborative work by The Fleagles, but that wasn’t the case. It’s still a top-notch volume where quality is concerned, but if you’re looking for lots of Williamson, Frazetta, and Krenkel, don’t look here. I think there was only one such collaborative story, but that isn’t really much in a volume this large. Wally Wood also isn’t represented here because his work was saved for another Artist Edition devoted entirely to him. Still, as I said, it’s a well-produced book. EC_IDW Regarding future IDW Artist Editions, what I’d really like to see is some work from Marvel’s Savage Sword of Conan magazine (from the 70’s) reproduced in this format. I really want to see Big John’s penciling with Alfredo Alcala’s beautiful pen and ink work. Can you imagine seeing the following pages reproduced at their original size in all of their splendor? alcalaconan5 Perhaps someone at IDW is already on to these and has plans for reproducing them in a future Artist Edition. One can only hope.

IDW Artist Editions

I recently picked up the IDW Artist Edition of Mark Schultz’s Xenozioc Tales, which is even larger in format than the 2010 Artist Edition of Dave Steven’s Rocketeer, which I got a few year ago (and I thought the Steven’s book was large). Since these are said to be scanned from the original art, it makes sense that all of the Artist Editions will be different in size, depending on the size of the original art.

IDW_Mark_Schultz

If you’re a fan of Frazetta’s dry-brush ink work, you’re probably already familiar with Schultz’s work and are a fan of his take on the style. He’s mastered the technique, and I think he’s probably the only guy who does it prolifically these days (if you can call him “prolific”. He seems to be rather slow in churning out new art, but it’s easily forgivable once you consider how much work he puts into a piece of art. It’s well worth the wait).

Rocketeer_ArtistsEdition_Cover

These IDW editions are not inexpensive, but they’re worth it for those who would like to collect original art but do not have the requisite fortune necessary to acquire such art. It’s also valuable for the artist who wants to study great works which were/are done traditionally, and I’m happy to see good reproductions of this art in its most original form. The ubiquitous use of digital media, while a helpful and useful tool, results in a lack of tangible original art, a situation I personally lament. I do, however, understand the need for the transition to digital media for those who work professionally these days. Even though I still draw on paper where a piece of art is important to me, I still paint it digitally for the sake of time and technical convenience. But I personally enjoy tangible, traditional media, and these books are a joy for those who share that enthusiasm.